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@Disturbance Video Portal

Talia Beale

The Media often push negative perceptions upon blocks of flats, presenting them as a type of cabinet of curiosity for the poor, problematic and unconventional. It then stigmatizes areas such as estates to be brutalist no-go zones, feeding into the ever growing class-war. There are many realities which exist within these concrete castles and this is often overshadowed by gang affiliation presented through fetishized and traumatic imagery. This means other voices tend not to be heard or seen. Through the utilisation of the art house film - which is a serious, artistic, experimental piece containing unconventional, highly symbolic content, usually not designed for commercial profit, but for a cult following; I wanted to explore how this process of film making could subvert ideas about estates and address new voices - specifically creative,queer kids who live in blocks.

I want to define a new avenue named ‘art estate’ film, where the focus is on communities from housing estates pushing the boundaries themselves of how blocks of flats and the stories within them can be represented. So this is for these creative and often conflicted kids from concrete castles who’s hearts start at home; I hope to see the next top deck fear who hubs at the back of the bus, living their life in magic…in magic and not dust.

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Sophie Hoyle

Credits
Hyperacusis (Part 1) (2021)
Camera, Editing, Sound Recording: Sophie Hoyle
Additional Camera: Isabelle Carlier
UrsuLAB Induction: Kina Madno
Dance Collaboration: Jule Lanoix
Sound Mix: Joe Namy and Jana Saleh
Colourist: Julija Steponaityte
Production: Antre Peaux, Bourges
Made as part of a EMAP/EMARE residency 2021

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Noam Youngrak Son

Noam Youngrak Son’s YUMMY BODY TRUCK is a fictional food truck that sells edible human body parts. What sounds like cannibalism at first turns out to be a biotechno-queer fantasy of interspecies mixing – quite literally so. In the computer-generated video, the pancake-shaped head of a "fluidic chimera" tells of its creation: that a rapidly spinning blade has taken on a multitude of organisms – from bacteria and fungi to plants, insects, reptiles… and also sometimes hominids – ingested, ground up their flesh and mixed it all into a malleable paste of diverse cells, organelles, DNA, enzymes, hormones, pigments, toxins: a pool of proteins, amino acids, nucleic acids, phospholipids, and all sorts of different polymers with all sorts of unidentifiable energy states and genetic information. This mushy mass is now being modeled into human body shapes in the YUMMY BODY TRUCK – similar to the multi-species convergence from fishing waste being reshaped into desirable seafood as surimi.

“I can transform into any color, smell, taste, texture or shape depending on what I contain and what you desire. I am a piece of dough – mold me into organisms that are extinct or your fantasy creatures that never existed.” Promises the Chimera. “My plasticity will liberate your appetite”. Both narration and visuals play with our desire and disgust. But the snack from the digital meat grinder also has a sociopolitical undertone. By molding the paste into human body parts, factors such as pigmentation, endocrinological status, and toxin accumulation of the meats gain political significance: lighter or darker pigmentation from melanin indexes “race,” and estrogen residues determine “gender.”
The truck serves the edible body parts in a lunchbox, and an instructional video shows visitors how to see, smell and taste them. The flavors of pigments, hormones and toxins are meant to heighten awareness of the nuances of the bodies they eat. If, for example, the chosen carcass tastes bitter, this could indicate a higher toxin content – carnivores are more likely to accumulate environmental toxins than plants. Nevertheless, the “oral intercourse” from the YUMMY BODY TRUCK promises a sensual experience with the result of turning the consumers themselves into chimeras through the fusion of different DNA.

Credit: Project by Noam Youngrak Son Soundtrack by UNOS

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Orlando Myxx

Description:
The Plastic Drag is an experimental visual work at the crossroads of video art and documentary filmmaking. It investigates the art of drag performed by a new wave of trans and non-binary drag performers and how they envision new gender identities. The film presents drag artists Karen Fisch and Jorge Maldonado engaging in a monologue/dialogue with their drag personas, King Frankie Sinatra and Veronica Maldonado respectively. Intertwined with their words a visual landscape offers a window onto their iconic inspirations. The work specifically investigates how images are involved in creating a drag persona and how drag can be employed to critically address societal norms around gender and issues related to racism, misogyny, homophobia, transphobia, mental health, body positivity, and ableism. Credits:

THE PLASTIC DRAG, 2021. Multi-channel projection, 32'42'' (for the screening in the physical space) - One-channel video, 33'32'' (for the virtual gallery) Filmmaker: Orlando Myxx. Original Music: Charlotte Louise Poulet aka Lottie Lou. Actors: Karen Fisch aka King Frankie Sinatra and Jorge Ardila Maldonado aka Veronica Maldonado.

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Olivia Morrison

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River Cao

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Sandrine Schaefer

Sandrine Schaefer Simple Relations No. 4, 2022
running time: 00:19:28
Description: Both poetic and contemplative, Simple Relations No. 4 queers the use of everyday objects to explore the complexities of living in a gender fluid body in the Southern United States.
Credits: Sandrine Schaefer 2022
special thanks to Daniel S. DeLuca

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Written & Directed by Khairullah Rahim
Sound: berukera
Voice: Luna Thicc
Produced under the Folk-Lor project led by Darren Guo and Euginia Tan, with community partner, 3Pumpkins (Tak Takut Kids Club), supported by National Arts Council, BinjaiTree, and National Youth Council - Young Change Makers. Buah Dahsyat (Fantastic Fruits) is an experimental short film capturing the veiled and coded lives of residents in Boon Lay, Singapore through enigmatic fruits acting as multifarious symbols for intersecting themes including everyday rituals, desire, social mobility and labour. Anchored by the voice of drag queen Luna Thicc, the fruits’ behaviour and habits become enmeshed with found footage, smartphone videos and kitsch popular culture imagery.

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Yana Bachynska

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Talia Beale
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S.Hoyle
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Noam Youngrak Son
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Orlando Myxx
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Olivia Morrison
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River Cao
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Sandrine Schaefer
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Khairullah Rahim
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Yana Bachynska